Guimet Room Music Concert ¡°Brahms¡¯ Four Great Symphonies¡±

Details
Type | Lecture |
---|---|
Intended for | General public / Enrolled students / Applying students / International students / Alumni / Companies / Elementary school students / Junior high school students / High school students / Technical college students / University students / Academic and Administrative Staff |
Date(s) | August 5, 2025 15:00 — March 31, 2026 17:00 |
Location | Other campuses/off-campus |
Venue | Intermediatheque 3F [GREY CUBE] JP Tower Museum INTERMEDIATHEQUE Address: KITTE 2F-3F, 2-7-2 Marunouchi, Chiyoda-ku, Tokyo JAPAN Access: JR lines and Tokyo Metro Marunouchi Line Tokyo Station (Marunouchi South Exit). Nijubashimae Station (Exit 4) on the Chiyoda Line (about 2 minutes on foot) |
Entrance Fee | No charge |
Registration Method | No advance registration required |
Contact | +81-47-316-2772 / From Japan: 050-5541-8600 (NTT Hello Dial Service) |
¡ùThe exhibition end date listed above is tentative.
Guimet Room Music Concert “Brahms’ Four Great Symphonies”
2025.08.05-
FIRST SIGHT
An improved version of the spiral speaker Trochus, which was shown during Christmas at the Guimet Room 2024 (December 2024) and received a favorable response, will be released in August 2025. Designed by Dr. Hirohisa Mori and manufactured by Dr. Toshimasa Kikuchi, this back-loaded horn-type speaker has a tweeter built into the root of the horn, and is unique in that it adjusts the timbre with an inverse phase derived by an algorithm from the signal sound. The name “Trochus” is derived from the scientific name of the maculated top shell, Trochus maculatus, which is found in the seas around Japan. During the past six months since the first release of the speaker, we have pursued a better sound fidelity of the orchestra’s middle voice part, mainly by re-examining the tweeter mechanism.
For this new release, we are pleased to present four symphonies by Johannes Brahms (1833-1897). In these works, the middle voice changes flexibly, sometimes lyrically, sometimes obsessively, and takes the listener into a world of fantasy. Can Trochus truly express this tone? We start by listening to renditions of these works conducted by Seiji Ozawa and to Karl Böhm. In the future, we will compare the differences in sound between the performances of various conductors.
Johannes Brahms
Symphony No.1 in C minor Op.68
Symphony No.2 in D major Op.73
Symphony No.3 in F major Op.90
Symphony No.4 in E minor Op.98
Performance Schedule O:
Seiji Ozawa, Saito Kinen Orchestra
(Performance Time: Approx. 2 hours 30 minutes)
Performance Schedule B:
Karl Böhm, Wiener Philharmoniker/Berliner Philharmoniker
(Performance Time: Approx. 2 hours 50 minutes)
Mon., Wed., Fri., Sun.
11:30 - Performance Schedule O
15:00 - Performance Schedule B (on days when the museum closes at 18:00)
17:00 - Performance Schedule B (on days when the museum closes at 20:00)
Tue., Thu., Sat.
11:30 - Performance Schedule B
15:00 - Performance Schedule O (on days when the museum closes at 18:00)
17:00 - Performance Schedule O (on days when the museum closes at 20:00)
Organizer: The University Museum, 500²ÊÆ±Íø (UMUT)
Guimet Room Music Concert “Brahms’ Four Great Symphonies”
2025.08.05-
FIRST SIGHT
An improved version of the spiral speaker Trochus, which was shown during Christmas at the Guimet Room 2024 (December 2024) and received a favorable response, will be released in August 2025. Designed by Dr. Hirohisa Mori and manufactured by Dr. Toshimasa Kikuchi, this back-loaded horn-type speaker has a tweeter built into the root of the horn, and is unique in that it adjusts the timbre with an inverse phase derived by an algorithm from the signal sound. The name “Trochus” is derived from the scientific name of the maculated top shell, Trochus maculatus, which is found in the seas around Japan. During the past six months since the first release of the speaker, we have pursued a better sound fidelity of the orchestra’s middle voice part, mainly by re-examining the tweeter mechanism.
For this new release, we are pleased to present four symphonies by Johannes Brahms (1833-1897). In these works, the middle voice changes flexibly, sometimes lyrically, sometimes obsessively, and takes the listener into a world of fantasy. Can Trochus truly express this tone? We start by listening to renditions of these works conducted by Seiji Ozawa and to Karl Böhm. In the future, we will compare the differences in sound between the performances of various conductors.
Johannes Brahms
Symphony No.1 in C minor Op.68
Symphony No.2 in D major Op.73
Symphony No.3 in F major Op.90
Symphony No.4 in E minor Op.98
Performance Schedule O:
Seiji Ozawa, Saito Kinen Orchestra
(Performance Time: Approx. 2 hours 30 minutes)
Performance Schedule B:
Karl Böhm, Wiener Philharmoniker/Berliner Philharmoniker
(Performance Time: Approx. 2 hours 50 minutes)
Mon., Wed., Fri., Sun.
11:30 - Performance Schedule O
15:00 - Performance Schedule B (on days when the museum closes at 18:00)
17:00 - Performance Schedule B (on days when the museum closes at 20:00)
Tue., Thu., Sat.
11:30 - Performance Schedule B
15:00 - Performance Schedule O (on days when the museum closes at 18:00)
17:00 - Performance Schedule O (on days when the museum closes at 20:00)
Organizer: The University Museum, 500²ÊÆ±Íø (UMUT)